Main, Meri patni aur woh : Missing greatness by a mile

Main, Meri Patni aur Woh starts with a bang. And ends with a whimper ....... The redeeming grace is Rajpal Yadav. He once again proves that he is the best actor around AND one of the very few actors around who can speak Hindi. A welcome relief from movies with moony-faced, chocolate hero making dreamy faces and saying stupid and strangely mixed language monologues like "Main tumhare liye exist karta hoon".

The rest of the movie disappoints though. What starts out (intentionally or not) to be a satire and a commentary on the insecurities of the Indian male degenerates into a confused tale of a man who is actually a wimp.

The movie plot is simple enough : Mithilesh (Rajpal Yadav) holds on to his bachelorhood as long as he can. He finally breaks down and decides to tie the knot when he meets Veena (Rituparna Sengupta), a ravishing beauty. He is impressed with her as a person and she is impressed with his simplicity and shy demeanor. They get married and things start getting complicated because of Mithilesh's suspicious nature (quite justified considering that he has married a beautiful woman). He believes that everyone is out to have a go at his wife. That includes his friend Salim (Varun Badola), her friend Akash (Kay Kay Menon), the doodhwala, the sabjiwala ......

The movie starts quite good with very funny sequences and humorous interludes. The emotional mom, the intelligent and caustic uncle (played excellently by Vinod Nagpal (damn, I still can't stop thinking of him as basesar-ram !!)), the geeky librarian who lands a real beauty..... and sundry other characters are introduced, ready to play out their parts and their stereotypes. But then, unnecessary time is wasted with stupid, meaningless songs, too many sequences of Mithilesh acting suspicious and some sequences which are ... pointless (case in point - a loooong chat sequence on the terrace with Mithilesh and Akash)

After the second half one almost begs for the movie to get a certain direction. Astonishing sequences follow -reminiscent of 80s DD soap operas where snatches of conversation are heard and the characters, in a dumb, slow-moving dance, make magical inferences , re-inforcing what they actually want to hear. An amazing sequence in the movie -> Mithilesh sees Veena come out of his uncle's office. Mithilesh goes in, hears snatches of a conversation where his uncle is discussing a divorce on the phone .... and concludes that he is discussing his (Mithilesh's) divorce !! "You F*&k, why don't you just ask him, he is your goddamn uncle !!" I screamed at the TV. I agree that the buildup to this scenario is there. Enough sequences in the movie are designed to plant a suspicion in Mithilesh's mind. Maybe Mithilesh is even justified in thinking that his wife is contemplating divorce. But the way Mithilesh pussyfoots around the idea of a confrontation makes the viewer lose all respect for him.

The interminably long restaurant sequence at the end where Mithilesh's circumlocutory conversation had my fists all balled up. A sensitive hero is fine ..... but this guy is just plain gay! Maybe such a weak guy really does not deserve this girl. The inevitable and predictable ending has Mithilesh weeping, tears in his eyes ... and ours too, in relief. Sigh, such a waste .....